Review: Mockingbird by Chuck Wendig (Miriam Black #2)
Thought I wouldn't get time to get in a review before the year ends but then I realized I'd written this two months back and forgot to post it!
TITLE: MOCKINGBIRD (Miriam Black #2)
AUTHOR: CHUCK WENDIG
PUBLISHER: ANGRY ROBOT
GOODREADS SUMMARY:
Miriam is trying. Really, she is.
But this whole "settling down thing" that Louis has going for her just isn't working out. She lives on Long Beach Island all year around. Her home is a run-down double-wide trailer. She works at a grocery store as a check-out girl. And her relationship with Louis--who's on the road half the time in his truck--is subject to the piss and vinegar Miriam brings to everything she does.
It just isn't going well. Still, she's keeping her psychic ability--to see when and how someone is going to die just by touching them--in check. But even that feels wrong somehow. Like she's keeping a tornado stoppered up in a tiny bottle.
Then comes one bad day that turns it all on her ear.
Chuck Wendig’s ‘Blackbirds’ disturbed me to no small extent. The purist in me rebelled against the
language and profanity, the girlie-girl
in me cowered from the extreme violence, and the responsible book-blogger in me put out a warning that this book was
addictive, but not for those faint of heart. The reader in me also made it abundantly clear that I was going to pick
up the next installment- I was hooked
by Miriam Black in ‘Blackbirds’, and in ‘Mockingbird’
she appears with talons to reel me right back into her story.
And, what a story.
When you look at it from outside,
‘Mockingbird’ is a deceptively simple onion. A pretty one, yes, but kind of
procedural. Psychic-girl, visions of a murder, character drama, resolution. But
when you peel back the layers, it becomes much more. Miriam’s going to snark at
me for going philosophical on her, but take a breather, Miss Black. Let me talk
about you.
This time around, Miriam is trying to
settle down. Be a happy checkout girl
at a department store. Live with Louis in a trailer park. Keep her psychic ability under check. At least
until bullets get involved, and a bit of scalp is lost, and the psychic drifter
witch is out on the roads again.
It isn’t long before Miriam is neck-deep in
it - this time the trouble starts at a school/prison for delinquent girls. The
Caldecott School for Girls. There’s a murderer loose and he’s killing the
schoolgirls. Of course, Miriam knows this by touching the victims and has to stop it from happening.
But in Chuck Wendig’s world, killing them is equal to cutting off tongues, lopping off heads, singing a creepy song and lots and lots of barbed wire, so Miriam really is up against some major psychopath.
But in Chuck Wendig’s world, killing them is equal to cutting off tongues, lopping off heads, singing a creepy song and lots and lots of barbed wire, so Miriam really is up against some major psychopath.
You’d see why Miriam would get involved. This time around she might have bitten off more than she can chew, because
she’s up against a pretty formidable enemy. Maybe even more than one.
Louis Darling remains my favorite one-eyed trucker ever, although there’s a scene with
bloody feathers and eye sockets and car wrecks and river water that will
probably not let me sleep easily for a while at least.
I said in my review of ‘Blackbirds’ that
what makes the book is the main protagonist. She’s back and she ain’t lost her charm. (Or extreme
lack of it.) She’s still trash-talking her way through her dark little life,
seeing hallucinations that creep me the hell out, and getting into so much
trouble that you want to lock her up somewhere. Not that Miriam wouldn’t bust
out. Just saying.
The real good thing about Mockingbird,
however, is that it doesn’t simply draw Miriam as a dark, brooding,
pot-mouthed, psychic young woman with a one-eyed trucker boyfriend. Her
home-life appears in tiny Interludes between chapters, and we learn how Miriam
became well…Miriam. Uncle Jack teaching her to hold a gun and shoot a bird, her
over-religious mother (Carrie parallel?)
destroying her stuff, the strange house that she grew up in- we get to visit
each scene through the writer’s extremely
cinematic prose.
The story moves fast and is paced so
violently, with so much blood and fighting and crazy dialogue involved, and I
loved that. It’s slightly less…well, French, than the book before but there’s still plenty of bombs for those who try to avoid stuff like that
(or, alternately, enjoy stuff like that, whatever floats your boat).
I reiterate- THIS IS NOT YOUNG ADULT. But if you’re like me and enjoy bloody
paper-and-ink conquests, kickass UF heroines, trucker lingo, awesome dialogues, razor-sharp prose, subtle shout-outs to Stephen King, and a good old-fashioned serial killer tale, you’ll
dig Mockingbird.
And hee. I love the damn cover. Joey Hi-fi
is rockin’ it. Do you see the detailing in it, with the stuff in her hair? There's an axe, a hand, a detailed bird beak. There's the school on her shirt. You could play "spot that" with the cover the whole day.
4 on 5 stars, and bring on more Miriam!
4 on 5 stars, and bring on more Miriam!
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