Review: The Space Between by Brenna Yovanoff
The Following Review Is Highly Disorganized As Instant Coffee Was In
Short Supply And I Was Suffering From Caffeine Withdrawal At 1 A.M When This
Was Written.
Read At Your Own Risk.
(Oh, read. Please,
please read. Free sidenotes for you, I swear )
GOODREADS SUMMARY:
Everything is made of steel, even the flowers. How can you love anything in a place like this?
Daphne is the half-demon, half-fallen angel daughter of Lucifer and Lilith. Life for her is an endless expanse of time, until her brother Obie is kidnapped - and Daphne realizes she may be partially responsible. Determined to find him, Daphne travels from her home in Pandemonium to the vast streets of Earth, where everything is colder and more terrifying. With the help of the human boy she believes was the last person to see her brother alive, Daphne glimpses into his dreams, discovering clues to Obie's whereabouts. As she delves deeper into her demonic powers, she must navigate the jealousies and alliances of the violent archangels who stand in her way. But she also discovers, unexpectedly, what it means to love and be human in a world where human is the hardest thing to be.
This second novel by rising star Brenna Yovanoff is a story of identity, discovery, and a troubled love between two people struggling to find their place both in our world and theirs.
If you've read my blog, you know I don't like angel books.
Hate 'em, hate 'em, can't stand 'em (I blame the Hush Hush and Fallen series) unless they're totally awesome and uber weird like The Daughter of Smoke and Bone.
Brenna Yovanoff’s “The Space Between”, however, is a book that I will confess to having read more than once, if only for its strange, stark beauty more than anything. It’s unlike anything I’ve ever read, and for once, the cover seems incredibly well suited for the book. And really, it isn't exactly an angel book.
Hate 'em, hate 'em, can't stand 'em (I blame the Hush Hush and Fallen series) unless they're totally awesome and uber weird like The Daughter of Smoke and Bone.
Brenna Yovanoff’s “The Space Between”, however, is a book that I will confess to having read more than once, if only for its strange, stark beauty more than anything. It’s unlike anything I’ve ever read, and for once, the cover seems incredibly well suited for the book. And really, it isn't exactly an angel book.
I give The Space
Between 4 Stars.
The Space Between is the story of Daphne (daughter of
Lucifer and Lilith, go figure), and her brother Obie (son of Adam and Lilith;
don’t go figure, just read the book) who goes missing from Earth. He is the only one that has ever admitted to
loving her, and to find him, Daphne comes down (or is it up? I don’t know) from
Pandemonium, (a. k. a creepy-cool-version-of-hell) to Earth, and the only
person who can help is a walking calamity of a boy named Truman Flynn.
In The Space Between, age-old characters and Christian
mythology put on new suits and talk from new perspectives. Good and bad becomes
confused and turns to shades of grey. The half-demon daughter of Lucifer and
Lilith becomes a sweet and vulnerable narrator, while the angel Azrael and his
Dark Dreadful becomes strange villains. Beelzebub is a man who collects
possessions of the dead, and the hero- Truman Flynn- breaks all concepts of the
traditional YA boy-man.
You can see why I’d like something like this.
The Space Between wouldn’t have been the book that it is if
not for Daphne, main narrator, aforementioned daughter of Lucifer and Lilith. I
loved the clarity of her voice and the starkness of it. It became somehow so
easy to imagine Pandemonium through the eyes of a girl who loves earthly
trinkets and finds beauty and nobility in someone as self destructive as
Truman. Daphne on earth has to be one of the most poignant narrators I’ve read
so far: everything seems so much more dark and dangerous on earth than in
Pandemonium, which is strangely ironical, because Pandemonium seems kind of
like hell. She manages to be unintentionally funny (doesn’t know what a hooker
hotel is, considers making a playgroup for a talking baby with a full set of
teeth) and yet incredibly touching at the same time.
Truman Flynn is an emo boy. Think of the emo-est emo boy you
can dream up and then multiply that by ten. He’s self-destructive and pretty
pathetic, but yet, sometimes the nobility in him shows through and he’s kind of
REALLY likeable in a really weird, am-I-crazy-to-like-him way. I don’t normally
like guys who fall apart all over the place AT ALL, and I do like emo-boys but
NOT suicidal emo-boys, so how the hell does Brenna Yovanoff pull this off?
Jeez, I really loved Truman. Really, really. This book has drugged me. (Freaks
out.)
I suppose the meeting between Daphne and Truman is one of
the best-written YA-pair meetings ever. Honestly, just that scene and the
on-page chemistry between the lead pair was enough to get me through the whole
book.
(Well, that, and the pubs and Moloch and the weird vibe I
got from this book that if it were a TV show, it would be an early Supernatural episode, with all the
character angst, myths and mirrors, and the black-eyed-demons-hanging-out-in-shady-pubs.
Disturbingly, for most of the book, I pictured Daphne like one of the demons
from the show: full black eyes, no whites!)
So, deviations aside, the story is strange, its characters
are odd and most of the plot is pretty weird: because, honestly, the reason for
everything that happens to Daphne and her missing brother is very convoluted,
and doesn’t make much logical sense if you think about it, but I’m ready to
suspend logic for a YA book and just enjoy one beautifully plotted scene after
the other. Indeed, The Space Between seems more a collection of incredible
scenes than the best-plotted book. Lucky I’m a sucker for awesome scenes.
So. Disorganized review and random side-notes, all aside,
The Space Between is a lovable, well-written, superbly imagined book.
Will I read it again? Probably, when I feel like reading
something emo-awesome.
Will I buy it if I see it somewhere? Most probably.
Do I like it better than The Daughter of Smoke and Bone?
Yes. I do. (I know, I know. Now you’re all pissed off at me.)
Favorite quotes:
1. Moloch, to Daphne, on Truman:
1. Moloch, to Daphne, on Truman:
“I hate to break it to you, but his primary state is face-down on the
floor, and he still couldn’t help you find gravity.”
2. D: “I was never happy before I came here”
T: “What were you then?”
D: “Lonely. Bored, maybe. It was a strange feeling. I think if I could
see it, it would look like a tiny polished castle, full of poison flowers and
silver spears.”
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